Crafting power in Kush: faience production and state control in the Napatan region
Rennan Lemos, Kathryn Howley, Siobhan Shinn, Shadia Abd Rabo
A pile of broken beads, shells, and burnt workshop waste can reveal something much bigger than how ancient craftspeople worked. At Sanam Temple, it points to how a kingdom organized power, and who was allowed to share in it. What can a pile of shells, failed beads, and a workshop beside a temple reveal about an ancient state? At Sanam, these ordinary production remains point to royal power, restricted consumption, and long-distance resource control.